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Write Screenplays That Sell: The Ackerman Way, by Hal Ackerman, First Last
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Hal Ackerman offers a treasure trove of information on the writing of quality, saleable screenplays by teaching the art of story structure, substance and style.
- Sales Rank: #99566 in Books
- Brand: Brand: Tallfellow Press
- Model: 1859951
- Published on: 2003-10
- Original language: English
- Number of items: 1
- Dimensions: 8.96" h x .74" w x 6.08" l, 1.07 pounds
- Binding: Paperback
- 100 pages
- Used Book in Good Condition
Review
"Hal Ackerman was my teacher, mentor and guide, but I also think of him as the 'midwife' who helped me deliver my script."
"Any aspiring screenwriter would be fortunate to have him as a teacher."
"Hal Ackerman is a brilliant teacher and an amazing inspiration."
About the Author
Hal Ackerman has been on the faculty of the UCLA School of Theater, Film, and Television for the past twenty-four years and is currently co-chair of the screenwriting program.
POUSSIN ET MOISE 2
Most helpful customer reviews
15 of 16 people found the following review helpful.
Truly Helpful... With a Heart
By A Customer
I've read quite a few screenwriting books, and what I first noticed about this one was its comfortable, clever tone.
Some of the really big heavy hitters in screenwriting are too expensive and pretentious. They try and function like textbooks. (I have one book in mind that weighs about 3 pounds and costs about $60... and like many text books, it lost my interest when I fell asleep on page 10.)
Hal Ackerman's book isn't very long, and it's an easy, pleasant read -- sort of populist without being condescending. It doesn't take screenwriting too seriously, which I appreciate. At the same time, you get the sense that this UCLA Professor loves helping his students craft meaningful stories that will also sell. (Some of his past students have gone on to write scripts like Matchstick Men and A Walk on the Moon.)
This book's real strength lies in its dedication to helping writers build effective narratives. Ackerman has designed an index card technique called the Scene-o-Gram that helps writers diagram stories so that key emotional turning points and plot points are hit at regular intervals. This forces you to keep only what you need and to lose the rest. Since most writers suffer from wordiness and a total lack of editing abilities, a stringent guide like this is a godsend.
I am an aspiring screenwriter who recently hit a block and stopped writing for several weeks. My romantic comedy is a mixed up mess and my zombie movie hit page 60 before I realized I had no ending. I think this is because I'm relatively new and haven't yet internalized the rhythms of effective storytelling.
After reading this book, I feel like I have the concrete tools I need to help me finish my scripts. I'd describe the book as a method to reign in your madness. Nobody's saying you have to treat your scripts like calculated, mechanical schemes to make money, but the reality is that a screenplay without structure and pacing will bore its audience. It'll never get made. A certain amount of planning will save you time and benefit your writing in the long run.
Bottom line: this book is a great resource for anyone who's overwhelmed by the task at hand. I think it's equally valuable for beginner or intermediate writers.
10 of 11 people found the following review helpful.
Great source for the serious writer
By bluepeace
I got this book just a couple of weeks ago, and I will admit openly that i am not done reading it, but I have read a lot of it, and he definitely knows what he's talking about. Hal Ackerman's book includes information on proper script format that a lot of other books leave out.
I'll also say that he doesn't sugar coat things for you, he tells you some real hard learned and down to earth facts about the film writing industry and states in no uncertain terms what your chances really are at making it big, getting recognition and what rights you have to your work once its made. I would rather learn about that from him then to learn it the hard way after I submitted my script. He also tells you about the usefulness of script writing software, among other things.
To me it's not really an air of arrogance about his tone, as stated in some other reviews, but an air of realism where he informs you that writing a movie is serious business.One thing that may throw a lot of people off in this book is that he tells you that you must "practice at screen writing" in order to actually be good at it and the book contains exercises at the end of each chapter (writers gym) for you to build your skills.
I wouldn't say that it's a distraction from doing real writing as one reveiwer stated, but something that you must do in order to sharpen your skills. Many other writing books say and include the same thing, and I see nothing amiss here.
All writing takes dedication and work, and thanks to Hal Ackerman we have a very useful guide that not only tells us the truth about screen writing, but helps us to get into it. The four star rating for this book is not deserved, five stars. Also if you're still not sure if you want to buy this book check it out of your local library first and read a bit of it for yourself (I did and I am now fervently seeking to own a copy of it permanently). Then you can see if it's for you.
9 of 11 people found the following review helpful.
Inspiration from a Master Teacher
By A Customer
I've spent my professional life directing actors, and a good number of my leisure hours watching plays and films. But whenever I've tried to compose so much as a single exchange of believable dialogue, the characters always wind up sounding like me, and the themes always hit the page with the subtelty of a sledgehammer. The one time I did find the courage to enroll in a college course on playwrighting, the instructor assigned us a two-character, one page scene due the second session. I dropped the class the next day.
So the current everybody-does-it trend notwithstanding, I am hardly the guy likely to sit down and script a full-length feature film.
And yet. Were I ever to be seized by an irresistible impulse to author a screenplay, this is the book I'd return to,
digesting and re-digesting every insightful page. Like any book that attempts to teach a subject (calculus, woodworking, photography), this is, after all, a textbook. But it's literally the first one I've ever encountered that was nothing less than exhilarating to read, with all the forward momentum of a good narrative. Ackerman is never ponderous or didactic, and his prose never stinks of the academy. My sense is rather of a guy who--like any gifted teacher--passionately wants the student to succeed, and is willing to share any and all of his best secrets in order to make that happen (and happen it has, for an amazingly high proportion of his former students!)
His book has all the qualities of a winner in this already crowded field: immense readability, a playful and infectious sense of humor, a refreshing concreteness (I love the fact that in citing examples of successful screenplays, he mentions big pop blockbusters like "Rocky" and "The Godfather" as often as he does 'chic' European titles like "Naked" and "Queen of Hearts".), and--maybe most importantly--a sense that the author is standing by, doing his damndest to get the best out of you.
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