Jumat, 03 Desember 2010

[J668.Ebook] Fee Download Color: A Natural History of the Palette, by Victoria Finlay

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Color: A Natural History of the Palette, by Victoria Finlay

Color: A Natural History of the Palette, by Victoria Finlay



Color: A Natural History of the Palette, by Victoria Finlay

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Color: A Natural History of the Palette, by Victoria Finlay

Discover the tantalizing true stories behind your favorite colors.
For example: Cleopatra used saffron—a source of the color yellow—for seduction. Extracted from an Afghan mine, the blue “ultramarine” paint used by Michelangelo was so expensive he couldn’t afford to buy it himself. Since ancient times, carmine red—still found in lipsticks and Cherry Coke today—has come from the blood of insects.

  • Sales Rank: #12866 in Books
  • Brand: Random House Trade Paperbacks
  • Published on: 2004
  • Released on: 2003-12-30
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.18" h x .99" w x 5.48" l, 1.57 pounds
  • Binding: Paperback
  • 448 pages
Features
  • Random House Trade Paperbacks

Most helpful customer reviews

72 of 73 people found the following review helpful.
Defective Kindle Edition (review of Kindle only)
By Mae
This review pertains ONLY to the kindle edition. This is cheap but very defective! NO ILLUSTRATIONS. The notes are not linked from the text, and in the Notes section, the numbers are omitted. So figuring out which note goes with which part of the text is your challenge.

9 of 9 people found the following review helpful.
A fun, timeless must read adventure
By charity marchandt
I love art history books but am aware that many have better use, curing insomnia. Although this book was more and two hundred pages, it was a wonderful, well researched, attention grabbing narrative about the history of color, the difference between pigment and dye , the search for "forgotten" recipes and human sentiment around the globe to color. Even the epilogue and bibliography are useful and easy to follow.

22 of 24 people found the following review helpful.
NOT color-ful
By KWW
The kindle version of this book -- allegedly about the world's dazzling colors -- is in BLACK & WHITE!!!! Desperately trying to get my money back.

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Kamis, 02 Desember 2010

[K267.Ebook] Download PDF Evolution, by Nicholas H. Barton, Derek E. G. Briggs, Jonathan A. Eisen, David B. Goldstein, Nipam H. Patel

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Evolution, by Nicholas H. Barton, Derek E. G. Briggs, Jonathan A. Eisen, David B. Goldstein, Nipam H. Patel

Evolution, by Nicholas H. Barton, Derek E. G. Briggs, Jonathan A. Eisen, David B. Goldstein, Nipam H. Patel



Evolution, by Nicholas H. Barton, Derek E. G. Briggs, Jonathan A. Eisen, David B. Goldstein, Nipam H. Patel

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Evolution, by Nicholas H. Barton, Derek E. G. Briggs, Jonathan A. Eisen, David B. Goldstein, Nipam H. Patel

Evolution is a new book on evolutionary biology that elegantly synthesizes traditional evolutionary theories with contemporary concepts from genomics, developmental biology, human genetics, and other areas of molecular biology. As an innovative, interdisciplinary, and thoroughly integrated book on evolutionary biology with world-renowned author, Evolution thoroughly illuminates this major paradigm of modern science. Evolutionary principles are introduced with examples from across the spectrum of life - from ''jumping genes'' to RNA molecules, to populations of yeast and E. coli reared in the laboratory, to dung flies, lizards, and deer in their natural habitats. A section is also devoted to human evolution and diversity, merging recent insights from molecular techniques with paleontological evidence. Evolution is recommended as a primary textbook for undergraduate courses in evolution as well as for biologists seeking a clear, current, and comprehensive account of evolutionary theory and mechansms.

  • Sales Rank: #778311 in Books
  • Published on: 2007-06-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.80" h x 1.30" w x 11.00" l, 4.40 pounds
  • Binding: Hardcover
  • 833 pages

Review
''This new [textbook in evolutionary biology] by Barton and colleagues is among the best. The production quality is superb in layout, composition, typesetting, colour palette, illustrations and gorgeous half-tones; and the writing is excellent, as one might expect from such a stellar cast of experts in population genetics, palaeontology, human genetics, bacterial genomics and developmental biology (respectively).'' --Daniel Hartl, Harvard University (Nature)

''The book has many strengths. The prose is crisp and explanations are rigorous but clear. The authors do not hesitate to discuss complex ideas or to provide appropriate caveats about the certainty of our knowledge. The Figures are useful and abundant...The expertise of the authors in quantitative, population, and developmental genetics is obvious; explanations are often less formal than in other texts, but at the same time are more sophisticated and more intuitive. The chapters on diversity include a detailed but engaging introduction to the genetics and genomics of bacterial and archaeal diversity, the origins of multicellularity, and the evolution of novelty inferred from both fossil data and from developmental biology. Although I had assured myself that I would not read the text word-for-word, I found myself deeply immersed in many chapters and read them from beginning to end. The material was not new (for me), but the descriptions and explanations seemed fresher and more compelling than in other current evolution texts. The explicit focus on questions at the molecular level determines the use of examples throughout the text, but these examples come from basic biology, not biomedical science. This book will be particularly attractive to molecular biologists who want to learn the details of evolutionary pattern and process. It may also be the book of choice for evolutionary biology graduate students with interests in population genetics, ''evo-devo,'' and molecular evolution.'' --Richard G. Harrison, Cornell University, Ithaca (Evolution)

''At 833 pages, Evolution by Barton et al. is a large book, and it is copiously and helpfully illustrated with photos, figures and line drawings, mostly in color. The lion's share consists of Part II, ''The Origin and Diversification of Life,'' and Part III, ''Evolutionary Processes.'' The three chapters of Part I introduce the history of evolutionary biology, including molecular biology, and the evidence for evolution. The final two chapters, in Part IV, provide an excellent, up-to-date summary of human evolution. The discussion of the Out-of-Africa and multiregional hypotheses of the origin of modern humans is nuanced rather than dogmatic. A section on ''Genomics and Humanness'' is brief but incisive. The final chapter on ''Current Issues in Human Evolution'' is exemplary and can be profitably read by medical geneticists seeking to establish associations between genes and diseases.

The expertise of Barton et al. in population and evolutionary genetics is eminently displayed in Part III, which makes up somewhat more than half of Evolution. All the bases are covered, and well covered at that: mutation and variation, population structure, random drift and gene flow, selection, social evolution, speciation, and much more...The last two chapters of Part III, ''Evolution of Genetic Systems'' and ''Evolution of Novelty,'' are priceless. In length, depth and excitement, these two chapters go far beyond what is typically covered in evolution textbooks. The increasingly relevant topic of the evolution of evolvability is helpfully included, and evo devo considerations are again brought to bear in these chapters.'' --Francisco J. Ayala, University of California, Irvine (Nature Genetics)

Most helpful customer reviews

19 of 23 people found the following review helpful.
Intellectual, stimulating, fascinating, revealing; a must have for those who must know what Life really is.
By Amit B. Singh
I'm not a Molecular Biologist or an Evolutionary Scientist by profession. So I think my friend who loaned me this book was a bit surprised when I asked if I can borrow the book from her. It is after all a text book for students in extremely specialized field(s). The thing about this book is that you don't have to be in a specialized field to be reading it. It is for anyone who has ever wondered about life on earth, how it evolved, time scales involved in the evolutionary journey, various stages of evolution, different mechanisms life has employed to adapt, etc. etc. It is a fascinating work built upon the original idea proposed by Charles Darwin himself in "On the origin of species", with theories that have since been proven to be facts, and more in depth knowledge about the subject than any other book of its kind out there. This book will literally take you through the tree of life, with wonderful illustrations, and have you thinking about Life like you've never thought before. This book will make you feel connected to the Universe and every life form that has ever existed on the Earth and you can't help but feel both immortal yet insignificant. The particles in your body have been around for an eternity, and will be around long after you're gone. You're part of the Universe and the Universe is a part of you. I'm very fortunate to have had the chance to read this book. It is now part of my collection of books and I highly recommend it to all the curious minds out there.

6 of 8 people found the following review helpful.
Decent and extensive, but often vague
By puetz
This is a decent textbook of high print quality, usually good and professional graphics and modern layout. There is no doubt that a student can learn a lot.

Unfortunately, I do have a couple of issues with this book. I am a biologist and have read 17 out of the 26 chapters (about 2/3). In summary, the book is too long because it is often vague and sometimes fairly technical. Occasionally I had trouble understanding the material because of poorly selected figures or examples. Here are some examples:

The introductory 3 chapters already have some serious shortcomings. For example, the section on "Objections to Evolution" (p. 76) is pretty lame. The argument that evolution cannot be observed is only vaguely addressed. Of course it can be observed, given that we can observe mutations either accumulate from generation to generation or that we can simply generate such mutations at will. We can also observe selection of such mutations in the lab etc. Similarly, the argument that evolutionary theory is not testable is rebutted by the "consistency of phylogenies" and the fossil record. Sigh. Is that all the authors could come up with?

In the same vain, I find many sections vague, with suboptimal examples. For instance, the chapter on evolutionary novelty doesn't really present any novelties but rather "standard evolution". We have known of a number of newly (or recently) evolved genes, novel enzyme activities, or novel morphological structures. There is barely any mention of those. Instead the chapter describes "M�llerian mimicry", how mutations in phosphoglucose-isomerase causes temperature-sensitive differences in kinetics or how opsin can change its light absorption properties by mutations. Hardly any novelty that will convince a creationist. It is true that there are not many true novelties that we understand well but there are certainly better examples than those in the book, e.g. radical changes in protein activity with very few mutations (think yeast Gal1 and Gal3 proteins) or morphological inventions such as feathers from reptile scales. Instead, Barton and colleagues use rather obscure examples and then don't even explain them well.

In fact, the vagueness is my main complaint. There are dozens of cases where the authors talk, for instance, about "baceria that grow on carbon monoxide" (p. 719) but don't say which ones. A page earlier they have a figure illustrating non-homologous gene displacement, using a hypothetical "green gene" displaced by an "orange gene". I am inclined to scream "Lord! Just give me a real example, please!" and there are many, especially in microbial metabolism. Often I got the impression that the authors were too lazy to look up better examples (or ANY example) and this is what makes evolution so interesting and convincing.

Finally, the book is often too complicated because of the many attempts to recapitulate the scientific literature without distilling out the gist of it. Chapter 11 is a case in point. It would have helped to edit some figures by simply adding labels instead of just reprint them from a scientific paper (see Fig. 11.16 which is incomprehensible without reading the legend). Many sections thus could easily be shortened significantly without losing much information.

I often have discussions with a creationist friend, but I am reluctant to recommend this book to him. It may backfire...

10 of 15 people found the following review helpful.
Sadly, not a very good book
By Yegor Voronin
At first glance, the book is fantastic. Only when you start reading it, you discover that it is too unwieldy and tries to accomplish too much. Authors decided not to choose any particular knowledge level for their audience, but instead cover a lot of ground very quickly. The learning curve in this book is extremely steep! This is a book that will take you from description of molecular nature of DNA all the way to such complex concepts as average fitness excess and beyond. Unfortunately, this means that explanations are brief and many things are given as a fact of the matter, without proper explanations of their origins and/or importance. It also means that if you are like me, a scientist with quite a decent knowledge of biology and evolution, then for 80% of this book you will be bored, for 10% you will have no clue what the authors are talking about, and only 10% will be of any reasonable interest to you. In the end, the book is just not fun to read. Very disappointing...

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Kamis, 18 November 2010

[T428.Ebook] Download Ebook Rulers of Evil: Useful Knowledge about Governing Bodies, by F. Tupper Saussy

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Rulers of Evil: Useful Knowledge about Governing Bodies, by F. Tupper Saussy

Rather than pass through the Atlanta Federal Prison Camp gate to serve a sentence for a tax misdemeanor back in 1987, author F. Tupper Saussy chose to become a fugitive in order to freely investigate his adversary -- the United States of America. What he discovered was valuable new proof of a vast Roman Catholic sub-stratum of American history -- more specifically, that Jesuits played eminent and underappreciated roles in persuading New Englanders to rebel against their mother country in 1776. Indeed, according to Saussy's groundbreaking discoveries, the American Revolution and its resulting constitutional republic may have been single-handedly designed and supervised by a Jesuit named Lorenzo Ricci -- this country's true founding father. Provocative and utterly compelling, Rulers of Evil analyzes the hundreds of historical clues left by the true leaders of the world. It should be read by anyone desiring to know, definitively, why America works the way it does.

  • Sales Rank: #2833155 in eBooks
  • Published on: 2015-08-22
  • Released on: 2015-08-22
  • Format: Kindle eBook

From Publishers Weekly
Saussy, a Grammy-nominated songwriter and author (Miracle on Main Street) turned conspiracy theorist, makes a case here that will strike most readers as awash in bigotry (of the anti-Catholic variety): "[T]he papacy really does run United States foreign policy, and always has." To prove that, for example, the pope controls Washington, Saussy offers "evidence" such as the number of Catholic senators and other high government officials or that "the land known today as the District of Columbia bore the name `Rome' in 1663 property records." Further, he argues that the Jesuits "have imbued western culture with a purely Catholic political theory" the theory underlying the American Revolution, which in turn was brought about by a Jesuit priest, Lorenzo Ricci (aka Laurence Richey), as part of a plan to make America safe for Roman Catholics. Catholics were oppressed in colonial times, Saussy notes, but Catholic immigrants flooded into the U.S. from Europe in the decades following the Revolution. This book has a blurb from fellow HarperCollins author and conspiracy theorist Jim Marrs, and the publisher, in a press release and apparently asleep at the wheel, calls it a "riveting, well-researched and well-documented account of one man's discovery of the true driving forces behind our nation's history." But most will see it for what it really is an anti-Catholic version of The Protocols of the Elders of Zion.

Copyright 2001 Cahners Business Information, Inc.

Review
"Saussy presents enough thought-provoking facts, details, and suppositions to engage the imagination of even the most jaded conspiracy theorist." -- Jim Marrs, author of "Rule By Secrecy"

A work long in the making and well worth the wait. Impeccably documented. Saussy liberates us from deception! -- Eustace Mullins, author of "The World Order," "Secrets of the Federal Reserve"

About the Author
F. Tupper Saussy, a native of the southeastern United States, spent ten years as a fugitive from the IRS, the period during which he did the research for this book. A true Renaissance man, he has been nominated three times for a Grammy Award, is a distinguished watercolorist, and is the author of the bestselling book The Miracle on Main Street. He lives in Santa Monica, California.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Master Piece
By Aidan
Excellent book, a must have if you are to understand the mechansm that controls the earth today. I recommend looking up Prof Walter Veith for anyone desiring a good lecture (try to find his more up to date lecture on youtube). A book that you also must have is Romansm and the Reformation by Henry Grattan Guiness, the work in this book is so profound that it must be read by every living soul on the planet, youl see that sir Isaac Newton and many many others icluding all the reformers were unanimous in their conclusions regarding prophacy, saddly such theology has been erased from the minds of today.

5 of 5 people found the following review helpful.
Tupper Saussy - worth reading!
By Maria T. Tatham
The best book on the subject I've read. Great style, very readable. It's one of the few books about this that won't make you feel defiled. The last sentence was a disappointment - see why... then forgive him - he's only human.

0 of 0 people found the following review helpful.
Wow
By Joyce
I learned alot in this book. However, he made such a good case for all his research, that I thought he rather copped out at toward the end of the book. But even then, this is such a good book, that it deserves 5 stars.

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Discovering the Arts of Japan: A Historical Overview, by Tsuneko S. Sadao, Stephanie Wada

This handy reference book is perfect for anyone interested in Japanese art, whether they be art history students and enthusiasts or tourists visiting Japan. A comprehensive overview of the major trends in art throughout the history of Japan, Discovering the Arts of Japan includes a select bibliography and list of major museums housing collections of Japanese art. Handsomely presented and easy-to-use, this book offers a valuable introduction to the subject, and encourages further in-depth study of specific periods and art forms.

  • Sales Rank: #173971 in Books
  • Brand: Brand: Abbeville Press
  • Published on: 2010-04-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.80" h x 1.00" w x 6.00" l, 1.60 pounds
  • Binding: Paperback
  • 284 pages
Features
  • Used Book in Good Condition

Review
"Well organized, the book is useful for both ready reference and for deeper research... Enthusiastically recommended." -Multicultural Review
"Well organized, the book is useful for both ready reference and for deeper research... Enthusiastically recommended." -Multicultural Review
.,."this well thought-out book beautifully presented book can be a first step in discovering the fantastic world of Japanese arts." -The Japan Times
"A remarkable job...considering great amounts of information into a brief, highly readable and impressively clear text." -Kendall Brown, Associate Professor, California State University, Long Beach
"An eloquent guide for the neophyte and a ready reference for the seasoned traveler [to Japan]." -Barbara Brennan Ford, Curator, The Metropolitan Museum of Art



"Well organized, the book is useful for both ready reference and for deeper research... Enthusiastically recommended." -Multicultural Review
"Well organized, the book is useful for both ready reference and for deeper research... Enthusiastically recommended." -Multicultural Review
, .."this well thought-out book beautifully presented book can be a first step in discovering the fantastic world of Japanese arts." -The Japan Times
"A remarkable job...considering great amounts of information into a brief, highly readable and impressively clear text." -Kendall Brown, Associate Professor, California State University, Long Beach
"An eloquent guide for the neophyte and a ready reference for the seasoned traveler [to Japan]." -Barbara Brennan Ford, Curator, The Metropolitan Museum of Art



"Well organized, the book is useful for both ready reference and for deeper research... Enthusiastically recommended." -Multicultural Review
"Well organized, the book is useful for both ready reference and for deeper research... Enthusiastically recommended." -Multicultural Review
., ."this well thought-out book beautifully presented book can be a first step in discovering the fantastic world of Japanese arts." -The Japan Times
"A remarkable job...considering great amounts of information into a brief, highly readable and impressively clear text." -Kendall Brown, Associate Professor, California State University, Long Beach
"An eloquent guide for the neophyte and a ready reference for the seasoned traveler [to Japan]." -Barbara Brennan Ford, Curator, The Metropolitan Museum of Art


"Well organized, the book is useful for both ready reference and for deeper research... Enthusiastically recommended." -Multicultural Review
"Well organized, the book is useful for both ready reference and for deeper research... Enthusiastically recommended." -Multicultural Review
.,."this well thought-out book beautifully presented book can be a first step in discovering the fantastic world of Japanese arts." -The Japan Times
"A remarkable job...considering great amounts of information into a brief, highly readable and impressively clear text." -Kendall Brown, Associate Professor, California State University, Long Beach
"An eloquent guide for the neophyte and a ready reference for the seasoned traveler [to Japan]." -Barbara Brennan Ford, Curator, The Metropolitan Museum of Art

About the Author
Tsuneko S. Sadao studied art at the University of California at Berkeley. She has worked as an art consultant to Japanese museums and galleries for many years, and is presently consultant to the Isamu Noguchi Foundation, Inc., in the U.S. and Japan.

Stephanie Wada is Associate Curator of the prestigious Mary and Jackson Burke Foundation and the Mary Griggs Burke collection of Japanese Art in New York. She has taught Asian art at Columbia University and the City University of New York.

Excerpt. � Reprinted by permission. All rights reserved.
INTRODUCTION

The genesis of this book was a seed planted many years ago when I took a course in the history of Western art in New York. At the end of the course we were given the assignment of preparing a scrapbook with illustrations highlighting important trends in the development of the arts, an exercise that I found both instructive and stimulating. It occurred to me that a similar concept could usefully be applied to a book introducing Japanese art to a non-specialist audience. The aim of this book, then, is to present a concise but comprehensive survey of the arts of Japan from pre-history to the start of the modern era.

The insular culture of Japan can best be understood as a process whereby successive waves of imported ideas and artifacts were assimilated and synthesized into a new interpretation. This survey commences with what we know of prehistoric Japan, when objects were created both ceremonial and utilitarian use: they are “primitive” yet expressive, and show the lively creativity of the early inhabitants of the Japanese islands. The sixth century saw historically documented contact with Korea and China, which heralded a golden age of Buddhist art with magnificent temples housing masterpieces of sculpture and painting. Elements of Chinese culture were eventually assimilated into a refined indigenous court culture, which produced a new style of Japanese painting in the form of beautifully illustrated hand scrolls. The subsequent decline of the imperial court and rise of the warrior clans witnessed a trend toward realism in sculpture, and the elevation of sword-making into an art. A new wave of Chinese influence in the form of Zen Buddhism emphasized a meditative spirit and an aesthetic of simplicity, epitomized by the dry landscape gardens of Zen temples, and the tea ceremony. The flamboyant sixteenth-century military leaders inspired a grand age of castle building, with magnificent paintings adorning castle interiors, while kiln technology introduced from Korea altered the course of Japanese ceramic production. During the three hundred years of national isolation instituted by the Tokugawa shoguns, the arts spread beyond the exclusive domain of the privileged classes amongst the general populace, as manifested in the popular ukiyo-e woodblock prints. The fall of the shogunate was followed by rapid Westernization and profound changes in society, which in turn revolutionized the arts.

This brief summary encapsulates the flow of developments in Japanese art which we have tried to capture in this book. Our presentation is essentially image driven, with nearly 250 photographs carefully selected from important collections housed in museums, temples, and shrines, as well as private collections inside and outside of Japan. Some of these show well-known major works, while others are rarely available to public view. Certain works carry the notation National Treasure or Important Cultural Property. This designation indicates the Ministry of Culture’s assessment of the importance of these works to the national patrimony under the 1950 “Law for the Protection of Cultural Properties.”

The preparation of this book has been a long and rewarding learning process for me. It is my hope that it will increase your interest in the unique and fascinating art of Japan and stimulate you to further study in the subject.

Tsuneko S. Sadao

Most helpful customer reviews

34 of 34 people found the following review helpful.
The illustrations are almost all black and white
By John Armstrong
This isn't a review, just a note to prospective buyers, that the illustrations in this book are almost entirely black and white. There are some nice color plates at the front (very prominent in the Amazon Look Inside view), but that's it. Japanese art of all periods is, for me, so much about color (even monochrome ink paintings and early woodblock prints, where the bases if not also the pigments have at least subtle color) that I just couldn't help but be dissatisfied. It might be an excellent book in every other respect and I don't want to ding it more than it deserves, but I think the choice of black and white format, especially in a book published in the 21st century, was a mistake, so I give it a best-case 4 stars.

2 of 2 people found the following review helpful.
Very Well Detailed and Organized
By Christine
This book is very well organized and format makes it easy to read and understand. Most of the historical overview books, I have read are very boring and have only words that take up space. This book does not do that. It gives an excellent overview of Japan from the Jomon period to it opening up the country for visiters in certain areas. The art is well described. The terminology used in this book is very simple for anyone who is not familar with art and its terminology.

1 of 1 people found the following review helpful.
great history
By jany seda
was needing a overview of Japanese art and this did the trick for me, lots of illustrations and information was great

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  • Sales Rank: #16370400 in Books
  • Published on: 1965
  • Original language: English
  • Binding: Paperback

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Samantha Rialto and her best friend, Maxie Peters are looking for a place to live, determined to put the traumatic events of the last two months behind them. But things start to go horribly awry when they find a dead body soaking in the bathtub of a potential rental. On that same afternoon, Violet Arnold, one of Samantha’s favorite students, asks for help finding her missing father. Once again, Samantha is embroiled in another mystery.

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  • Sales Rank: #78571 in eBooks
  • Published on: 2012-10-30
  • Released on: 2012-10-30
  • Format: Kindle eBook

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8 of 8 people found the following review helpful.
A wonderful third installment for this entertaining series
By Linda
Samantha Rialto, our protagonist, has had a very bad few months. Sam and Maxie, her best friend, are looking for a place to live after their homes were destroyed. This housing search is proving to be an unpleasant endeavor. Adding to this stress is Sam's student, Violet. She comes to Sam asking for help. It seems Violet's father is missing, and she is determined to find him. Sam agrees to help and lines up Skipper Turnbuckle, a "questionable" PI, to help with the search. Violet's dad is in a whole lot of trouble with some very nasty people, and it takes Skipper, Sam, and `maybe' boyfriend, FBI agent Ben Parker to solve this mystery.

A Violet March is the third book in the Samantha Rialto series. Samantha, a music teacher who occasionally sidelines as a surveillance photographer for Skipper, is an entertaining character. She is sweet, kind, funny, and loves being a teacher. Being so nice tends to cause lots of problems for her. Maxie is a great character, and there is a wonderful bond between these two friends. I really enjoyed getting to know the adorable Olivia, Ben's sister.

Ms. Katy's website states that this book is "darker" than the previous two books. This is very true. Although most of the book is a fun, fast read, the ending is anything but. It took me by surprise--and not in a good way. For me, it was totally unexpected and made me very sad.

I do recommend these books. I've grown attached to these characters and look forward to seeing what happens to them next. This book can be read as a stand-alone but I urge you to read them in order. Character growth is important to me, and I find reading series books in order enables me to fully appreciate the characters.

2 of 2 people found the following review helpful.
Move over Janet Evanovich
By maura
This is the first time I've read the Stephanie Plum genre without feeling like I'm reading a rip off. Her writing is terrific. She knows how to develope a character! This is the 3rd in the series and I can't wait for more. I'll keep my fingers crossed that she doesn't fall into the same trap as Evanovich and have Sam, the main character, refuse to grow and keep her wonderful boyfriend at arms length.

2 of 2 people found the following review helpful.
Great read!
By Avid Reader
It has been a loooong wait for the third book in this series and it doe not disappoint. Samantha is as good as ever and there are many laugh out loud moments as well as a touch of sadness. Please, Ms. Katy, don't make us wait as long for the fourth book and please let Sam find some well deserved happiness with Ben.

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Black Zion: African American Religious Encounters with Judaism: 1st (First) Edition, by Nathaniel Deutsch (Editor) Yvonne Chireau (Editor)

  • Published on: 1999-12-28
  • Binding: Paperback

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Black Zion: African American Religious Encounters with Judaism: 1st (First) Edition, by Nathaniel Deutsch (Editor) Yvonne Chireau (Editor) PDF
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